Such poor neglected books!
May. 18th, 2006 08:36 pmI've been collecting copies of a particular Shakespeare set, one of the early mass-market paperback editions -
EACH NUMBER SOLD SEPARATELY
AT THE RATE OF M0,30
THE PLAYS
OF
WILLIAM SHAKESPEARE
IN
37 PARTS.
No. 21.
KING HENRY VIII.
LEIPZIG
BERNHARD TAUCHNITZ
1868.
The problem is, this one had uncut pages. The poor thing's been around so long, and nobody's wanted to read it... that really appals me. It may not be the most popular of plays, but still, it deserves a careful cherishing. And got it, taking full advantage of the lovely acoustics in my kitchen. Though the fact that its first experience had to involve a sharp knife is possibly not ideal.
EACH NUMBER SOLD SEPARATELY
AT THE RATE OF M0,30
THE PLAYS
OF
WILLIAM SHAKESPEARE
IN
37 PARTS.
No. 21.
KING HENRY VIII.
LEIPZIG
BERNHARD TAUCHNITZ
1868.
The problem is, this one had uncut pages. The poor thing's been around so long, and nobody's wanted to read it... that really appals me. It may not be the most popular of plays, but still, it deserves a careful cherishing. And got it, taking full advantage of the lovely acoustics in my kitchen. Though the fact that its first experience had to involve a sharp knife is possibly not ideal.
no subject
Date: 2006-05-19 05:51 am (UTC)George Cavendish was gentleman-usher to Wolsey, and his biography of Wolsey was written to defend his old boss against the rather bad reputation he'd gotten (it was a Marian text, which is why he could do this; some very late editions apparently have a "now that Elizabeth is going to be queen we're totally boned" coda, but I've never seen it). It's fascinating, because there is this huge focus on all of the people and all of the stuff surrounding Wolsey -- very much a retainer's-eye view of history, and that has interesting historiographical implications. (Also we learn all about the contents of Wolsey's chamberpot during his final illness. The paper I wrote on this text, which also discussed More's Richard III, took as its jumping-off point the fact that both of these texts have privy scenes at key points in the narrative.)