mirrorshard: (Default)
Somhairle Kelly ([personal profile] mirrorshard) wrote2009-06-12 07:01 pm
Entry tags:

Seed, bud, flower, fruit

While I was looking around for some folk lyrics, I found this interesting FT article on folk music and constructions of Englishness, focusing on Show of Hands and their song Roots.

Attempts to write English national songs tend to founder on the question of conservatism: does English identity mean no more than an insistence that nothing should ever change?

Well, obviously the answer to that is "no", but I think there are some interesting questions about moving forwards involved. They're basically not in favour of SoH's approach, but I think that ignores one of the most important strands of folk history & practice, which is the protest song.

[identity profile] mirrorshard.livejournal.com 2009-06-14 06:53 pm (UTC)(link)
Mm, it is. I did see someone else, on a random mudcat thread I found googling around, talking about SoH's "negative message" (later paraphrased as "whinging" - but they're not whinging, they're bloody pissed off) compared to Bragg. I'm almost tempted to say that for the FT at least, it's because Bragg's an Establishment figure.

What Roots reminds me of most of all is Skyclad's Penny Dreadful (http://www.lyricsdownload.com/skyclad-penny-dreadful-lyrics.html).
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[identity profile] yoyoangel.livejournal.com 2009-06-14 06:59 pm (UTC)(link)
Yes, I see what you mean.
I think maybe the 'negative message'/'whinging' accusation could be partly because they protest about several different things in the same song (but I haven't read the mudcat thread), but I think that's a reasonable thing to do in the context of the song and the chorus. Bragg covers the issue but without going into specifics as much. He has the income, status, etc. to take time off and write a book about the specifics instead of putting them in a song.